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Un-censorship: Suspended Between Concealment and Revelation

About the Artist

Jessie Leasure has been creatively engaged since childhood. To hone her craft, she received her

Bachelor’s degree from New College of Florida and her MFA from Jacksonville University in

2021. Working in an expressive, loose-realistic style, Leasure primarily uses acrylic paint and

drawing materials to convey emotional content drawn from personal experience. To this end, she

employs the human figure’s incredible capacity for expression, especially through body

language. She balances specificity against ambiguity because nuance conveys more than

absolutes.


Leasure has received numerous grants and awards including the Jane Vee Memorial Scholarship

and the Women Contemporary Artist’s Scholarship, and she was a recipient of the

exclusive FAAE Star: State Teacher/Artist Residency in 2022. She has exhibited in shows and

galleries and is featured in private collections throughout the state of Florida. Currently, she

maintains a Florida-based studio and teaches art and animation full-time.

Artist Statement

In the powerful Un-censorship series, Leasure explores a topic that is simultaneously deeply

personal and universal: the practice of self-censorship. Societal expectations dictate what is

acceptable to reveal. Struggle is often considered taboo, a weakness, or something to conceal. As

a result, most people have experienced the compulsion to censor their true thoughts or feelings.

If taken too far, this practice can become destructive, resulting in mental illness or suicidal

thoughts or tendencies. In this series, Leasure attempts to visualize self-censorship, revealing

both the detrimental effects of and how it feels to excessively repress emotional realities. She

depicts the human figure in emotionally evocative poses, partially obscured using shadow,

silhouette, or even the figure’s own extremities (for example, hands or arms). Combined with

highly saturated color and expressive contrast, this concealment implies that something critical is

hidden from view. Through this visual dialogue, Leasure hopes to shed some light (both

metaphorically and literally) on a shared human experience.


A particular piece in the Un-censorship series sparked this exploration. Leasure was pursuing her

Master of Fine Arts degree while working full-time as a teacher. Then the Covid-19 pandemic

erupted onto the world stage at the start of her final, thesis-writing year. The artist recalls:


“I was sitting in my room thinking about the weight of everything and feeling overwhelmed

when I remembered my thesis—I had decided to channel any stress into raw, unfiltered artistic

expression. At that moment, I realized I had positioned myself in an unusual way, with my

fingers threaded and my face pressed into them. Immediately, I flew into action. After grabbing

my tripod and adjusting the lighting to be more artful, I repositioned myself in that same pose.

The photograph I painted Crease from was the first one I took with the timer setting on my

phone, composition and all. From there, I continuously threw the struggle I experienced that year

at a canvas. The images you see in the Un-censorship series are the result, and I think they

represent what many of us went through during that time.”

Read her full interview

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"Crease"

Crease

Acrylic on canvas
24 × 20 inches
2020
$400


Crease is an intimate study of internal pressure made visible through the body. The tightly framed composition draws the viewer close—so close that the tension becomes almost palpable. Hands overlap the face in a protective yet compressive gesture, creating literal and metaphorical folds where emotion gathers and holds.

Leasure’s nuanced handling of color animates the figure with subtle shifts of warmth and coolness, suggesting conflicting emotional states beneath the surface. Highlights trace the contours of knuckles, tendons, and skin, emphasizing fragility while revealing strength in restraint. The cropped perspective denies full context, mirroring the experience of being caught within one’s own thoughts—compressed, inward, unresolved.

The title Crease speaks to moments where pressure leaves a mark—where repeated strain reshapes the self. It is a quiet but powerful meditation on anxiety, self-protection, and the unspoken weight carried in stillness.

As one of the more intimate works in the series, Crease offers collectors a deeply personal point of connection—an evocative piece that rewards close looking and emotional reflection.

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"confined"

Confined

Acrylic on canvas
24 × 48 inches
2021
$1,000


Confined captures a raw and intimate moment of internal tension—where vulnerability, isolation, and resilience coexist. The figure curls inward, shielding the face while the body remains exposed, creating a powerful contrast between emotional withdrawal and physical presence. The elongated vertical format intensifies the sense of compression and containment, pulling the viewer into the psychological space of the subject.

Bold, expressive color shifts ripple across the figure, suggesting emotional turbulence beneath the surface. Warm and cool tones collide, emphasizing the complexity of human experience—strength and fragility, protection and exposure. The dark, minimal background allows the figure to emerge almost sculpturally, heightening the immediacy and intensity of the moment.

This work speaks to universal feelings of confinement—whether emotional, mental, or situational—making it deeply relatable while remaining visually striking. Confined is a compelling statement piece that invites prolonged reflection, offering collectors a work that is both emotionally resonant and visually commanding.

Ideal for collectors drawn to figurative work with depth, honesty, and expressive power.

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"crushed"

  Crushed

Acrylic on canvas
36 × 48 inches
2020
$1,200


Crushed confronts the viewer with a visceral portrayal of emotional weight and internal collapse. The figure is tightly folded into itself, limbs entangled and compressed, suggesting the physical manifestation of psychological pressure—grief, overwhelm, and endurance all held in a single moment.

The artist’s bold use of color elevates the piece beyond realism. Vivid blues, reds, and greens pulse across the body, mapping emotional intensity rather than natural light. These chromatic shifts create a sense of movement and tension, as if the figure is vibrating under the strain of unseen forces. Against the stark black background, the body emerges dramatically, isolated yet undeniable.

Despite its sense of confinement, Crushed is not a work of defeat—it is a study of survival. The strength in the figure’s musculature and the deliberate composition speak to resilience, capturing the quiet power of holding oneself together when everything feels too heavy.

This striking figurative work is ideal for collectors drawn to emotionally charged contemporary realism and expressive color theory. Crushed commands space and attention, offering a raw, honest reflection on the human condition that lingers long after viewing.

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"Collapse"

Collapse

Acrylic on canvas
24 × 48 inches
2020
$1,000


Collapse captures the moment when endurance gives way—when the body and mind can no longer hold their shape under emotional weight. The figure folds inward, arms wrapped tightly around the legs, head bowed, creating a closed, protective form that speaks to vulnerability, exhaustion, and self-preservation.

The artist’s expressive use of color transforms the body into an emotional landscape. Iridescent hues of pink, blue, green, and violet ripple across the skin, suggesting shifting states of feeling rather than physical light. These colors pulse against the stark contrast of the dark lower form, emphasizing the tension between visibility and disappearance, presence and retreat.

Unlike a depiction of defeat, Collapse feels deeply human. It honors the act of pausing, of breaking inward rather than outward. The posture becomes an act of survival—a necessary surrender that allows for eventual release and renewal.

This work resonates strongly within contemporary figurative practice, offering collectors a piece that is both visually striking and psychologically intimate. Collapse invites prolonged viewing, reflection, and emotional connection, making it a compelling addition for collectors drawn to narrative-driven, expressive figurative art.

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"Tense"

 Tense

Acrylic on canvas
30 × 40 inches
2020
$1,000


Tense captures the charged space between restraint and release—the moment when emotion coils tightly within the body, refusing to settle. The figure folds inward, hands raised defensively near the face, fingers clawed in a gesture that suggests anxiety, vigilance, and internal pressure. This is not a scream, but a held breath.

The artist’s bold, prismatic use of color transforms the figure into a living register of emotion. Saturated blues, reds, greens, and violets fracture across the skin, revealing tension beneath the surface. These hues do not describe light; they describe feeling—stress mapped directly onto the body. Against the stark, minimal background, the figure feels exposed, isolated, and psychologically present.

The composition pulls the viewer close, cropping the body tightly so there is no escape from the emotional charge of the pose. The raised hands become both shield and signal—an instinctive attempt to protect while simultaneously revealing vulnerability.

Tense speaks to the quiet, constant strain of existing within one’s own mind. It resonates deeply with contemporary audiences who recognize this posture—not as weakness, but as survival. For collectors, this work offers a striking, emotionally intelligent piece that balances expressive color, technical control, and raw human truth.

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"conceal"

Conceal

Acrylic on canvas
18 × 24 inches
2020
$400


Conceal explores the instinctive act of self-protection—the moment when visibility feels unsafe and retreat becomes a form of survival. A raised hand interrupts the viewer’s gaze, shielding the face while simultaneously drawing attention to what is being hidden. The gesture feels immediate and human, echoing a universal impulse to withdraw when confronted by judgment, scrutiny, or emotional exposure.

Vivid, fractured color washes across the skin, transforming the figure into an emotional landscape rather than a literal portrait. Blues, pinks, and warm flesh tones collide against the dark background, suggesting internal conflict beneath the surface. The contrast between the illuminated hand and the partially obscured face heightens the psychological tension of the composition, creating a powerful push and pull between revelation and concealment.

The cropped framing places the viewer uncomfortably close, reinforcing the intimacy of the moment. There is no narrative resolution offered—only a suspended emotional state that invites reflection. Conceal asks the viewer to consider what it means to be seen, what it costs to hide, and how often the two coexist.

As part of this emotionally charged series, Conceal offers collectors an accessible yet impactful work—one that speaks quietly but resonates deeply, making it an ideal entry point into the larger body of work.

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"writhe"

Writhe

Acrylic on canvas
36 × 48 inches
2020
$1,200


Writhe captures the body in a moment of visceral unrest—caught between resistance and release. Suspended against a stark, open ground, the figure twists and contorts, untethered from gravity or place. The pose feels involuntary, as though the body is responding to an internal force rather than conscious choice, embodying a physical manifestation of emotional turbulence.

The figure’s darkened silhouette contrasts sharply with luminous passages of color that pulse across the skin. Iridescent hues—greens, reds, blues, and warm flesh tones—bleed into one another, suggesting motion, tension, and the shifting nature of inner states. The face, partially illuminated, hovers between serenity and strain, reinforcing the ambiguity of whether the figure is unraveling or transforming.

Hair and limbs arc outward, amplifying the sense of motion and instability, while the dramatic foreshortening pulls the viewer into the figure’s orbit. There is no fixed orientation; the composition resists a single point of balance, mirroring the psychological disorientation the piece conveys.

Writhe speaks to moments of profound internal conflict—when emotion becomes physical, when the body bears the weight of unspoken experience. It is a commanding work within the series, offering collectors a bold, emotionally charged statement piece that confronts vulnerability without restraint.

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"grip"

 Grip

Acrylic on canvas
16 × 40 inches
2020
$600


Grip captures a moment of raw, instinctual tension—where the body responds before the mind has time to intervene. The elongated vertical composition draws the eye upward, emphasizing the reach of the figure and the vulnerability embedded in the gesture. The head tilts back into darkness, hair cascading in fluid motion, while the hand tightens in a grasp that feels both protective and desperate.

Leasure’s luminous use of color transforms flesh into something almost otherworldly. Iridescent highlights ripple across the figure, suggesting movement, breath, and emotional charge beneath the surface. The stark black ground isolates the form, heightening the psychological weight of the moment and allowing the gesture to speak without distraction.

The title Grip operates on multiple levels—physical tension, emotional restraint, and the act of holding on when release feels equally possible. The ambiguity of the pose invites the viewer to project their own experience into the image: is the figure bracing against collapse, or reaching toward liberation?

Intimate yet powerful, Grip offers collectors a compelling entry point into the series—an emotionally resonant work that speaks quietly but lingers long after viewing.

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"clawing"

 Clawing

Acrylic on canvas
36 × 48 inches
2020
$1,200


Clawing captures a moment of raw emotional release—where containment gives way to urgency. The figure’s hands press upward, gripping at the face and air itself, as if searching for breath, clarity, or escape. This visceral gesture becomes the central language of the work, communicating struggle without the need for narrative explanation.

Leasure’s use of heightened, prismatic color fractures the body into emotional planes, allowing tension to ripple across muscle, skin, and shadow. The exaggerated highlights and saturated tones suggest internal conflict made external—pain, longing, and resilience coexisting within the same physical form. The upward tilt of the head introduces a sense of desperation, but also defiance, as if the figure refuses to remain unseen or silenced.

The title Clawing speaks to the instinctual act of reaching when words fail. It reflects moments when survival becomes physical—when emotion demands space and acknowledgment. This work stands as one of the more commanding pieces in the series, both in scale and emotional intensity.

As a large-format painting, Clawing offers a powerful presence for collectors drawn to figurative work that confronts vulnerability head-on. It is a statement piece—unapologetic, expressive, and deeply human.

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"prone"

 Prone

Acrylic on canvas
24 × 24 inches
2020
$600


Prone captures a quiet yet heavy moment of inward collapse. The figure folds into itself, head bowed and supported by the hands, embodying exhaustion, surrender, and the weight of internalized emotion. Rather than dramatizing the moment, Leasure allows stillness to do the work—inviting the viewer into a space of vulnerability that feels deeply personal and universally recognizable.

The restrained composition intensifies the emotional impact. Cropped tightly within the square format, the body feels contained, almost compressed by the edges of the canvas. Subtle shifts of color—cool greens, warm reds, and soft highlights—move across the figure like emotional residue, suggesting inner turmoil beneath the calm surface.

Unlike works that depict struggle through motion, Prone speaks through pause. It represents the moment after resistance, when the body gives in not to defeat, but to honesty. This sense of emotional exposure aligns powerfully with the themes of Un-censorship, where concealment is replaced by presence.

At an intimate scale, Prone offers collectors a deeply contemplative work—one that draws viewers in slowly and rewards prolonged looking. It is a piece that resonates in quiet spaces, speaking softly but with lasting emotional weight.

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Exclusive Interview with Jessie Leasure

 To me, self-censorship is a fairly common practice across many cultures which compels individuals to present a version of themselves that is curated and palatable. In my experience, this curated version is rarely authentic, and often excludes pain and weakness as unfavorable, despite these being common to the human experience. Un-censorship is simply my term for the reversal of this societal practice to pursue profound authenticity.   


I debated for a while whether or not to show the faces of the models—which were often me— but ultimately decided against it because the anonymity of the figures made the work more broadly compelling.

I also faced the choice to clothe the figures… or not. I ultimately decided to make them nude to convey vulnerability, but obscured more ‘risqué’ anatomy because I didn’t want the pieces to become entirely about the flesh of the body, given that the nudity is symbolic.

Body language is powerfully communicative, and I showed just enough of each figure required to tell the story I wanted to tell.


 Each piece began with an authentic, emotionally turbulent moment. During the creation of this series, the world was dealing with an unprecedented pandemic. I found myself caught up in that struggle while simultaneously working and pursuing my Masters degree, both full-time. I was often overwhelmed, and I channeled that energy into the pieces you see. Interestingly, this practice of channeling difficulty into art was so healing and therapeutic that, nearing the end of my thesis, I had less and less content for the paintings because my mental health was so much improved! It was a good problem to have. 


 Every time—every time—it is deeply uncomfortable. You would think I would get used to the feeling, but I haven’t yet. However, I believe the message here is too important to hide. Conversations I’ve had around this work make it clear to me that showing some vulnerability allows others to feel safe enough reveal themselves a little bit, too. I’ve met strangers who told me stories that, according to them, they haven’t told anyone because they saw something of themselves in the work I created. That is a tremendous privilege and gift that I cherish. 


The restraint that I exercised in this series was meant to allow the work to direct the audience, but not dictate to them. Each person who approaches my work takes something different from it. Different people resonate with different pieces. That’s what I wanted: for deeply personal experiences to engage with the larger human condition, and for each person to be given space to form their own interpretations and connections. 


 I believe this body of work encompasses all of these things. The imagery itself documents authentic moments. As I was creating it, the series was a form of emotional release, and as such, it was also deeply healing. However, the ultimate goal of the series is to confront and question the consequences of societal practices of self-censorship.   


I used to say that there are two types of artists: the liars and the truth-tellers. Before this series, I always considered myself to be one of the liars; I would present the world in a way that was more beautiful than reality. This type of work is comforting and lovely and valuable in its own way. However, with this series, I planted myself firmly in the camp of the truth-tellers who present the world as it is, not flinching away from beauty or unsightliness. Unfortunately, this makes my work much harder to sell, but now I find I can hardly make anything less honest. 


I hope my work allows viewers to feel seen and un-alone. So often, we assume that we are isolated in our struggles, but we rarely are. In the course of human history, it is likely that someone has felt as you feel. I hope my work can encourage someone who is struggling to reach out for help.   


The Un-censorship series reveals that authenticity is not always pretty, and self-expression can be messy. More importantly, this messy ugliness is part of the human experience. We all have our quirks and defects, and in a world of filters and curated identities that try to erase them, if this series can move the needle even slightly toward balance, it would have accomplished its purpose. 


 Un-censorship is definitely a turning point, not just in my art, but in my journey as an individual. As I said earlier, this series revealed to me how cathartic it is to produce work that is brutally honest, and now I can hardly do anything else. While I still can’t resist the siren’s call of brilliant colors and dynamic contrast as aesthetic appeal, I see myself creating challenging and bluntly authentic work for many years to come, if not indefinitely, thanks to this series.  


View in a room

 Explore more of Jessie Leasure’s work beyond the Un-censorship series, including a video interview and deeper insight into her artistic career and background. Scan the QR code to visit her website and discover her broader body of work. 

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