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By the age of four, Jen was already drawing and painting in her hometown of Hilton in upstate New York. Jen’s family moved to Florida and there she continued to practice art. After receiving a graphic design degree she purued many avenues including shoe design, product development, and graphic design. But it was her continual need to paint that would always resurface. In 2002, she found a position painting for an art company. Over the next few years she would paint over a thousand paintings of her original design. These images were mass produced and sold to Neiman Marcus, Bed, Bath & Beyond, Rooms To Go, Z Galleries to name a few. She continued to work on her personal work and participated in several art shows each year. It was then she realized she needed to make a leap for herself .
Once again Jen took a risk and decided to start painting as a fine artist. After seeing Nelson Shanks’ work on the cover of American Artist magazine Jen decided to do whatever it took and become a classically trained painter. She was accepted into the full-time program at Studio Incamminati in Philadelphia, PA. The school was founded by Nelson and Leona Shanks and focuses on classic Italian realism. She finished the four year certificate program with excellence. Jen was awarded the teaching fellowhip at Studio Incamminati as a core instructor.
In the winter of 2011, Jen moved back to Florida. There she continues to pursue her passion of art and teaches as a way to give the gift back. She is currently working on a body of work to develop into a solo show while working on commission portraits from various clients. She works in a multitude of mediums including drawing, painting, resin and sculpture.
My painting is of the figurative abstract genre, with a consistent methodology, which after much research and practice, I managed to create an alphabet of color stains, where using the superposition of many layers of color, I got a framework that allows the veiling and the translucency of all the colors used. In many of my works, a field of superimposed colors appears, suddenly a horse, a flower, or some object that allows to feel the purity of the space, accompanying the mass of color that delimits it. The gestuality of the stroke must always carry the rhythm of the drawing, which must be resolved with the painting itself. In my paintings, the space is loaded with geometric signs, signals and icons that in turn are only paint, as if graphically solving the plastic dilemma. Pure painting with places of total luminosity, with colors that do not get dirty, with brief names, a flower, a woman's face, a horse. The format is enveloping and establishes an almost physical link with the viewer.
NOMA Gallery LLC
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